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Miller’s oeuvre extends from surrealistic images to photography in the fields of fashion, travelling, portraiture and even war correspondence The urgent, adventurous photography of lee miller a new retrospective at tate britain explores the extraordinary life and work of lee miller, from her participation in french surrealism to her fashion and war photography The albertina presents a survey of the work in its breadth and depth, with the aid of 100 selected pieces
Lee Miller: Musa, artist, model, photographer, the first
Lee miller began her artistic career as a surrealist photographer in the paris of 1929. The visions captured in her imagery, especially her pictures of the war, haunted her for the rest of her life. Lee miller lived in the xx cent., a remarkable figure of american surrealism
1930three gelatin silver prints each credited in an unknown hand in pencil (verso)
Credited, titled and dated on affixed exhibition labels from national portrait gallery, london and scottish national portrait gallery, edinburgh (frame backing) each image/sheet Approximately 4 3/4 x 3 1/2 in About this artwork lee miller began her career as a model in new york during the 1920s, eventually posing for celebrated photographers edward steichen and arnold genthe In 1929 she moved to paris, where she began to develop her own artistic ideas while assisting and then collaborating with man ray, a key member of the surrealist movement
Miller mastered lighting and printing techniques “nude bent forward” is a 1930 photograph by the artist lee miller, associated with the surrealism art movement This striking piece of art captures the genre of photography It poignantly reflects the surrealist preoccupation with the uncanny and the subconscious, as evoked through its provocative subject and composition
The artwork depicts a human figure, specifically a nude torso bent.
Looking at these photographs together, one is clear that not many artists of her generation saw with more piercing or perceptive eyes than lee miller
