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The nude, along with the other painting of the pair, eugenia martínez vallejo clothed, was in the royal collections until 1827 ‘la monstrua desnuda (eugenia martinez vallejo unclothed)’ was created in 1680 by juan carreno de miranda in baroque style After being taken to the alcázar (inventories of 1686 and 1694), it went to the zarzuela palace, where it appears in the inventory taken in 1701
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In 1827, eugenia martínez vallejo, naked came to the prado, while according to pedro de madrazo, the nude was given as. The latter portrait shows eugenia posing naked and deprived of her humanity like a mythological creature. [5][7] within the court she fulfilled the functions of a jester, [8] her appearance serving as a source of shock and amusement
[5][7] this situation was not uncommon for people with significant physical deformities during that time.
The subject, eugenia martinez vallejo, was six years old at the time of this painting and reportedly weighed 170 pounds. In eugenia’s case, the painter goes as far as to refer to her as a monster Indeed, the paintings are known as the monster clothed and the monster undressed
